Studies / Underpaintings [#ACY0018-21]

Studies / Underpaintings. 2013. Acrylic on canvas. h15 x w15 cm. h5.9 x w5.9 in.

Street View (unfinished) [#ACY0017]

Street View (unfinished). 2012. Acrylic on canvas. h40 x w30 cm. h15.75 x w11.8 in.

Urban Scene (I) [#ACY0016]

Urban Scene(I). 2012. Acrylic on canvas. h40 x w30 cm. h15.75 x w11.8 in.

Switch (II) [#ACY0015]

Switch (II). 2012. Acrylic, charcaol, graphite and ink on paper. h502 x w123 x l285 cm. h198 x w48 x l112 in.

Untitled ('America') [#ACY0014]

Untitled ('America'). 1985. Acrylic on jeans, framed and mounted. h21.0 x w29.7 cm. h8.3 x w11.7 in.

X-mass card [#ACY1005]

X-mass card . 2009. Digital photograph.

Untitled ('Dining Philosophers Problem') [#ACY0013]

Untitled ('Dining Philosophers Problem'). 2004. Studies.

No Man's Land [#ACY0012]

No Man's Land. 2004. Photograph. h15.0 x w23.0 cm. h5.9 x w9.1 in.

One Man Can Stop a Riding Train [#ACY0011]

One Man Can Stop a Riding Train. 2003. Studies (detail).

Boy [#ACY0010]

Boy. 2004. Lino cut [2/17]. h13.6 x w13.8 cm. h5.4 x w5.4 in.

More than Meets the Eyes [#ACY0008]

More than Meets the Eyes. 2003. Computer print on paper, framed and mounted. h3.6 x w27.9 cm. h1.4 x w11.0 in.

Untitled (‘SŮNDE_BOCK’) [#ACY0007]

Untitled (‘SŮNDE_BOCK’). 2004. Wood, acrylic and printing ink. h20.1 x w200.0 cm. h7.9 x w78.7 in.

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How It's Made

Figure: 'C'


Die Hintergrunddartellung ist ein Siebdruck auf Holz. Fůr die Buchstaben im Druchversuch habe ich eine eigene Drucktechnik entwickelt, die ich Vaseline-Druck nenne. Es werden Schablonen verwendet, die von hinten mit Vaseline eingeschmiert sind. Doch ich bin noch nicht zufrieden mit dem Resultat, denn die Buchstaben sind jetzt zu flach sein. Im echten Werk werden die Buchstaben augefräst und anschliessend schwarz glänzend ausgemalt werden.

F.A.M.E. (Artist Impression) [#ACY0006]

F.A.M.E. (Artist Impression). 2004. Acrylic and ink on paper. h21.0 x w29.7 cm. h8.3 x w11.7 in.

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How It's Made

Figure 1: Joined Waste Pipes (T-piece)

Figure 2: White Facade Fits in the Environment

Figure 3: Using the Minerva Symbols as Stencil Plate

Figure 4: An Immense Lock Gate

Figure 5: F.A.M.E. (Design Drawing)

Figure 6: Artist Impression (detail)

Swedish House II [#ACY0005]

Swedish House II. 2004-. Acrylic on masonite. h39.6 x w39.6 cm. h15.6 x w15.6 in.

Swedisch House [#ACY0004]

Swedish House. 2004. Acrylic on masonite. h39.6 x w39.6 cm. h15.6 x w15.6 in. Private collection

Untitled ('Martinikerkhof') [#ACY1003]

Untitled ('Martinikerkhof'). 2009. Acrylic on hardboard. h30 x w40 cm. h15.7 x w11.8 in.

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How It's Made

Figure: Martinikerkhof 9 te Groningen

Crystal Receiver [#ACY0003]

Cristal Receiver. 1990. Transparent plastic, electric components and coaxial cable, copper wire, paper roll, lacquer. h69 cm.

Untitled ('Station') [#ACY0002]

Untitled ('Station'). 2004. Acrylic on hardboard. h79.9 x w79.9 cm. h31.5 x w31.5 in.

Café [#ACY1002]

Café. 2009. Acrylic on hardboard. h30 x w40 cm. h11.8 x w15.7 in.

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How It's Made

Figure: Old White Café, Mantgum

I Am Always Confusing You [#ACY0001]

I Am Always Confusing You. 2004. Book, ink and two nails. h16.3 x w26.5 x l1.9 cm. h6.4 x w10.4 x l0.7 in.

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How It's Made

Figure 1: just one hole (using a drill!)

Figure 2: two nails and ...

Figure 3: ... a little ink